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A plexiglass sheet is taped to the front of the lens, and the subject uses their reflection to help determine where they are in the frame. Because of the size of the image, acquiring an image with sufficient depth of field can be a challenge, and the lens (the camera at 20×24 Studio in New York City was fitted with a Fujinon-A 600 mm f / 11 ...
It is also possible to affix a small metal plate to the surface of a mat. Such plates are typically made of brass, and can also be affixed to the picture frame itself if the frame is made of wood. A common form of decoration on non-cloth coated mats is the French line or line, and the French panel or panel. These forms of matting may also be ...
The most common large format is 4×5 inches (10.2x12.7 cm), which was the size used by cameras like the Graflex Speed Graphic and Crown Graphic, among others. Less common formats include quarter-plate (3.25x4.25 inches (8.3x10.8 cm)), 5×7 inches (12.7x17.8 cm), and 8×10 inches (20×25 cm); the size of many old 1920s Kodak cameras (various versions of Kodak 1, 2, and 3 and Master View cameras ...
Because the framing is increased vertically in the open matte process, the decision to use it needs to be made prior to shooting, so that the camera operator can frame for 1.85:1 and "protect" for 4:3; otherwise unintended objects such as boom microphones, cables, and light stands may appear in the open matte frame, thus requiring some amount ...
Matrices created by Jean Jannon around 1640. The Garamond typeface installed with most Microsoft software is based on these designs. [1] [2] [3]In the manufacture of metal type used in letterpress printing, a matrix (from the Latin meaning womb or a female breeding animal) is the mould used to cast a letter, known as a sort. [4]
Mayor, A. Hyatt, Prints and People, Princeton, NJ: Metropolitan Museum of Art/Princeton U. P. ISBN 0-691-00326-2, Prints & people: a social history of printed pictures fully online from the MMA; Pon, Lisa, Raphael, Dürer, and Marcantonio Raimondi, Copying and the Italian Renaissance Print, 2004, Yale UP, ISBN 978-0-300-09680-4
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