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Engraving of Robert Lefèvre's Portrait of Napoleon in his coronation costume, engraving in the treatise by the Pausanias français. The painting shows Napoleon as emperor, in the costume he wore for his coronation, seated on a circular-backed throne with armrests adorned with ivory balls. In his right hand, he holds the scepter of Charlemagne ...
The painting depicts Napoleon in a room of the Palace of Fontainebleau. He appears with a thoughtful expression, while he sits informally in a chair. He has the appearance of someone who has just returned from combat, while he also wears his uniform of colonel of the horse grenadiers of the Imperial Guard, with his grey frock coat.
The royal throne in Aachen Cathedral Side view of the throne Napoleon before the Throne of Charlemagne (Henri-Paul Motte, 1898).The French emperor visited Aachen cathedral on 2 October 1804, and did not sit on the throne, out of respect.
Napoleon I as Emperor, also known as Napoleon I in his Coronation Robes (French: Portrait de l’empereur Napoléon Ier en robe de sacre), is an oil-on-canvas painting by the French artist François Gérard, produced in 1805 under the First French Empire and currently displayed at the Palace of Versailles.
The commission specified a portrait of Napoleon standing in the uniform of the First Consul, probably in the spirit of the portraits that were later produced by Antoine-Jean Gros, Robert Lefèvre (Napoleon in his coronation robes) and Jean Auguste Dominique Ingres (Napoleon I on his Imperial Throne), but David was keen to paint an equestrian ...
A chyron that appears at the end of “Napoleon” — after two and a half hours of turgid, grime-encrusted spectacle — informs that France’s self-anointed emperor oversaw 61 battles, listing ...
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