Search results
Results from the WOW.Com Content Network
1984: Beowulf: adapted for live performance by the founding members of Theatre in the Ground. [33] 1990s Beowulf one-man shows in modern English by Julian Glover [34] 1993. Beowulf, op. 17, chamber opera (or dramatic cantata) in one act for a chorus of young voices, light soprano, light tenor and baritone soli, by Richard Lambert. [35]
This is a list of translations of Beowulf, one of the best-known Old English heroic epic poems. Beowulf has been translated many times in verse and in prose. By 2020, the Beowulf's Afterlives Bibliographic Database listed some 688 translations and other versions of the poem, from Thorkelin's 1787 transcription of the text, and in at least 38 languages.
Beowulf returns to the Geats and becomes their king, ruling for 50 years up until a great dragon begins to terrorize his people. The now old Beowulf attempts to fight the new monster, which he accomplished but at the price of a fatal wound. As he lays dying, he declares Wiglaf as his heir. The old king is buried with a monument by the sea.
Crowne drew on examples of the theme's appearance in twelve Old English texts, including one occurrence in Beowulf. [28] It was also observed in other works of Germanic origin, Middle English poetry, and even an Icelandic prose saga.
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.
The first example is taken from the opening lines of Beowulf, a work with around 3,000 lines. [2] This passage describes how Hrothgar's legendary ancestor Scyld was found as a baby, washed ashore, and adopted by a noble family. The translation is literal and represents the original poetic word order. As such, it is not typical of Old English prose.
Beowulf (/ ˈ b eɪ ə w ʊ l f /; [1] Old English: Bēowulf [ˈbeːowuɫf]) is an Old English epic poem in the tradition of Germanic heroic legend consisting of 3,182 alliterative lines. It is one of the most important and most often translated works of Old English literature.
Burton Raffel writes in his essay "On Translating Beowulf " that the poet-translator "needs to master the original in order to leave it", meaning that the text must be thoroughly understood, and then boldly departed from. His own effort to do this created what Marijane Osborn calls "the liveliest translation of Beowulf".