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Medieval theatre encompasses theatrical in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering dramatic performance in Europe over a thousand-year period.
Liturgical drama refers to medieval forms of dramatic performance that use stories from the Bible or Christian hagiography. The term was widely disseminated by well-known theater historians like Heinrich Alt ( Theater und Kirche , 1846), [ 1 ] E.K. Chambers ( The Mediaeval Stage , 1903) and Karl Young .
Medieval mystery plays focused on the representation of Bible stories in churches as tableaux with accompanying antiphonal song. They developed from the 10th to the 16th century, reaching the height of their popularity in the 15th century before being rendered obsolete by the rise of professional theatre.
The 1522 cover of Mundus et Infans, a morality play. The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who ...
Pages in category "Medieval drama" The following 71 pages are in this category, out of 71 total. This list may not reflect recent changes. ...
Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably [1]) are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the representation of Bible stories in churches as tableaux with accompanying antiphonal song.
English Renaissance theatre derived from several medieval theatre traditions, such as, the mystery plays that formed a part of religious festivals in England and other parts of Europe during the Middle Ages. Other sources include the "morality plays" and the "University drama" that attempted to recreate Athenian tragedy.
In the earliest days of liturgical drama, plays were performed inside the church with limited scenery and the focus of the audience on the action. [7] Mansions were used to indicate location but much of the performance took place on the platea, the open space in front of the scenic structure, with the actors moving from mansion to mansion only when strictly necessary.