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(occasionally octuple note, [3] octuple whole note, [4] or octuple entire musical note) [5] 8: 8 + 4 = 12: 8 + 4 + 2 = 14: 8 + 4 + 2 + 1 = 15 long [2] [6] [7] or longa [8] (occasionally quadruple note [9] or quadruple whole note) [4] 4: 4 + 2 = 6: 4 + 2 + 1 = 7: 4 + 2 + 1 + 1 / 2 = 7 + 1 / 2 double whole note, [10] double note ...
In music, a two hundred fifty-sixth note, or occasionally demisemihemidemisemiquaver , [1] is a note played for 1 ⁄ 256 of the duration of a whole note. It lasts half as long as a hundred twenty-eighth note and takes up one quarter of the length of a sixty-fourth note. In musical notation it has a total of six flags or beams.
The duration (note length or note value) is indicated by the form of the note-head or with the addition of a note-stem plus beams or flags. A stemless hollow oval is a whole note or semibreve, a hollow rectangle or stemless hollow oval with one or two vertical lines on both sides is a double whole note or breve.
The smallest pitch difference between notes (in most Western music) (e.g. F–F ♯) (Note: some contemporary music, non-Western music, and blues and jazz uses microtonal divisions smaller than a semitone) semplice Simple sempre Always sentimento Feeling, emotion sentito lit. "felt", with expression senza Without senza misura Without measure ...
In music, a double whole note (American), breve (British) or double note [1] [2] lasts two times as long as a whole note (or semibreve). It is the second-longest note value still in use in modern music notation. [2] The next longest notated note is the longa, which is double the length of the breve.
A longa in white-mensural notation. A longa rest (modern form) worth two breves. A longa (pl. longae, or sometimes longe), long, quadruple note (Am.), or quadruple whole note is a musical note that could be either twice or three times as long as a breve (Am.: double whole note, or double note), four or six times as long as a semibreve (Am.: whole note), that appears in early music.
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The system of note types used in mensural notation closely corresponds to the modern system. The mensural brevis is nominally the ancestor of the modern double whole note (breve); likewise, the semibrevis corresponds to the whole note (semibreve), the minima to the half note (minim), the semiminima to the quarter note (crotchet), and the fusa to the eighth note (quaver).