Search results
Results from the WOW.Com Content Network
A demonstration of the sign of the horns. The sign of the horns is a hand gesture with a variety of meanings and uses in various cultures. It is formed by extending the index and little fingers while holding the middle and ring fingers down with the thumb.
Mudra is used in the iconography of Hindu and Buddhist art of the Indian subcontinent and described in the scriptures, such as Nātyaśāstra, which lists 24 asaṁyuta ("separated", meaning "one-hand") and 13 saṁyuta ("joined", meaning "two-hand") mudras. Mudra positions are usually formed by both the hand and the fingers.
Poorna Mudra / Brahma Mudra Gesture of full breath Thumb tucked in, placed at the base of the fingers. Remaining fingers curled over thumb, forming a fist. Hands are then tucked under the navel area, with fingers facing upwards, and back of the fingers touching. Jnana Mudra / Gyana Mudra Psychic gesture of knowledge
Viparita Karani (Sanskrit: विपरीतकरणी; IAST: viparītakaraṇī) or legs up the wall pose [1] is both an asana and a mudra in hatha yoga. In modern yoga as exercise , it is commonly a fully supported pose using a wall and sometimes a pile of blankets, where it is considered a restful practice.
The fifty-six half tithi-s starting from Śukla pakṣa pratipad second half to Kṛṣṇa pakṣa caturdasi first half are given the variable names Bava, Bālava, Kaulava, Taitila, Gara, Vaṇij and Vṛṣṭi in a cyclical order.
Karanas are the 108 key transitions [1] in the classical Indian dance described in 4th Chapter named "Tandava Lakshana" of Natya Shastra. Karana is a Sanskrit verbal noun, meaning "doing". Description
Karana is the combination of hand gestures with feet to form a dance posture. Angahara is composed of seven or more Karanas. [7] "How many various dances of Shiva are known to His worshipers I cannot say. No doubt the root idea behind all of these dances is more or less one and the same, the manifestation of primal rhythmic energy.
The name Sarvangasana [8] is modern, but similar inverted poses were in use in medieval hatha yoga as a mudra, Viparita Karani, which is documented in the 14th century Śiva Saṃhitā 4.45-47, [9] the 15th century Haṭha Yoga Pradīpikā 3.78-81, [9] the 17th century Gheraṇḍa Saṃhitā 3.33-35, [9] and other early texts such as the ...