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These works depict the American wood sculptor William Rush in 1808, carving his statue Water Nymph and Bittern for a fountain at Philadelphia's first waterworks. The water nymph is an allegorical figure representing the Schuylkill River , which provided the city's drinking water, and on her shoulder is a bittern , a native waterbird related to ...
Hylas and the Nymphs is an 1896 oil painting by John William Waterhouse.The painting depicts a moment from the Greek and Roman legend of the tragic youth Hylas, based on accounts by Ovid and other ancient writers, in which the enraptured Hylas is abducted by Naiads (female water nymphs) while seeking drinking water.
Hylas and nymphs from a mosaic in Roman Gaul (3rd century). In classical mythology, Hylas (Ancient Greek: Ὕλας, romanized: Hýlas) was a youth who served Heracles (Roman Hercules) as companion and servant.
The nymph Salmacis raped Hermaphroditus and fused with him when he tried to escape. The water nymph associated with particular springs was known all through Europe in places with no direct connection with Greece, surviving in the Celtic wells of northwest Europe that have been rededicated to Saints, and in the medieval Melusine .
Nymph and Fawn is located near a pond that is part of the original Oldfields Ravine Garden, an informal garden that was designed by Percival Gallagher in 1920. [5] This landscaping project was part of a larger effort by the Olmsted Brothers landscape design firm to visually transform the Oldfields grounds at the time. [6]
Nymphs and Satyr was exhibited in Paris at the 1873 Salon, which opened on 5 May, [1] a year before the Impressionists mounted their first exhibition. It was displayed along with a verse from the ancient Roman poet, Publius Statius : "Conscious of his shaggy hide and from childhood untaught to swim, he dares not trust himself to deep waters."
The statue of a sleeping nymph in a grotto at Stourhead gardens, England. A motif that entered European art during the Renaissance was the idea of a statue of a nymph sleeping in a grotto or spring. [15] [16] [17] This motif supposedly came from an Italian report of a Roman sculpture of a nymph at a fountain above the River Danube. [18]
A young Sicilian fisherman slipping asleep down a rock into the tide is grasped round the neck by a water-nymph. He is swarthy in complexion, with dark curly hair, and nude save only for a crimson loin-cloth, his purple drapery being cast aside upon the grey rocks. The nymph is nude and blonde; her long, wavy brown hair is laced with pearls. [2]