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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
ɡ r æ m / SEE-koh-gram [4]), also known as literature for the blind, [5] [6] is a letter or a parcel that contains documents or items intended for visually impaired persons. [ 7 ] [ 8 ] [ 9 ] Cecograms can be sent or received by such persons, as well as by organisations that provide assistance to the visually impaired.
The Blind Milton (Thomas Uwins, c. 1817) "When I Consider How My Light is Spent" (also known as "On His Blindness") is one of the best known of the sonnets of John Milton (1608–1674). The last three lines are particularly well known; they conclude with "They also serve who only stand and wait", which is much quoted though rarely in context.
In each of these stories, a blind beggar hears that Jesus is passing by, and cries out "Jesus, Son of David, have mercy on me". The crowd rebukes the beggar, but Jesus calls him forward and heals him with a word, or by touching his eyes. [13] In another story in the Gospel of Mark, Jesus heals a blind man of Bethsaida by rubbing spittle into ...
“Ode to a Nightingale” is an example. Rondeau–A fixed form used in light or witty verses. It consists of fifteen octo- or decasyllabic lines with three stanzas and two rhymes applied throughout. A word or words from the initial segment of the first line are used as a refrain to end the second and third stanza to create a rhyme scheme.
Examples of this are the mention of Death as an animate being, the "Sisters of the Sacred Well," Orpheus, the blind Fury that struck Lycidas down, and the scene in which Lycidas is imagined to have become a regional deity (a "genius of the shore") after drowning. Since Lycidas, like King, drowned, there is no body to be found, and the absence ...
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Ivar Nilsson as the Fool in a 1908 stage production of King Lear at The Royal Dramatic Theatre in Sweden [5]. In his article "The Wisdom of the Fool", Walter Kaiser illustrates that the varied names and words people have attributed to real fools in different societies when put altogether reveal the general characteristics of the wise fool as a literary construct: "empty-headed (μάταιος ...