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The Trinity Altarpiece. The Trinity Altarpiece, also known as the Trinity Altar Panels, is a set of four paintings in oil on wood thought to have been commissioned for the Trinity College Kirk in Edinburgh, Scotland, in the late fifteenth century. [1] The panels are now part of the British Royal Collection and are loaned to the Scottish ...
The Pala delle Convertite or The Trinity with Saints Mary Magdalen and John the Baptist, (the museum's name) or Holy Trinity, is an altarpiece by the Italian Renaissance painter Sandro Botticelli and his workshop, traditionally dated to c. 1491–1493.
The crowded altarpiece depicts the Trinity, with God the Father holding a crucifix with a still-alive Jesus. Above them, in a cloud of light surrounded by cherubim, is the Holy Spirit in the form of a dove. God the Father wears an imperial crown and a wide gilt cloak, lined in green and supported by angels.
The Pistoia Santa Trinità Altarpiece is a 1455-1460 egg tempera, tempera grassa and oil on wood painting, begun by Pesellino and completed by Fra Filippo Lippi and his workshop. [1] The main panel of the work is today in the National Gallery in London.
The most usual depiction of the Trinity in Renaissance art depicts God the Father as an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal tiara, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book.
The retable was returned to St Mary's Church, Thornham Parva, in 2003, following eight years of restoration by the Hamilton Kerr Institute in Cambridge. [3] Using sturgeon glue, applied with tiny dabs of cotton buds, inch by inch the layers of grime were removed to reveal some of the original gold and a glowing autumnal palette of translucent reds, purples and greens which the original artist ...
Abraham holding little figures of souls in a cloth, as angels bring additional figures. Reims Cathedral. The Bosom of Abraham Trinity, also known as the Trinity with souls, is a rare iconography apparently unique to English medieval alabaster sculpture, of which only twelve examples are known to have survived, although there were undoubtedly many more made. [1]
Vigoroso da Siena's altarpiece from 1291 (pictured) is an example. This treatment of the altarpiece would eventually pave the way for the emergence, in the 14th century, of the polyptych. [6] The sculpted elements in the emerging polyptychs often took inspiration from contemporary Gothic architecture. In Italy, they were still typically ...
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