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Tango (Spanish: Tango, no me dejes nunca, translation: Tango, never leave me) is a 1998 Argentine-Spanish musical drama film written and directed by Carlos Saura and starring Miguel Ángel Solá and Mía Maestro. It was photographed by cinematographer Vittorio Storaro.
Dark Habits (Spanish: Entre Tinieblas) is a 1983 Spanish black comedy film written and directed by Pedro Almodóvar and starring Julieta Serrano, Marisa Paredes and Chus Lampreave. The plot follows a cabaret singer who finds refuge in a convent of eccentric nuns, while the film is an exploration of the anachronistic situation of ...
Mondays in the Sun (Spanish: Los lunes al sol) is a 2002 drama film directed by Fernando León de Aranoa, starring Javier Bardem, Luis Tosar and José Ángel Egido.The film depicts the degrading effects of unemployment on a group of men left jobless by the closure of the shipyards in Vigo, Galicia.
Mirage (2018). In this trippy sci-fi thriller from Spain, a happily married mother named Vera learns there's a possibility of saving the life of a boy who lived in her home 25 years earlier.
Talented multi-hyphen Rudy Mancuso co-wrote, directed, and starred in this somewhat autobiographical debut where he plays a younger version of himself living with his mother (played by his real ...
Despite Everything (Spanish: A pesar de todo) is a 2019 Spanish comedy film directed by Gabriela Tagliavini and starring Blanca Suárez, Macarena García, Amaia Salamanca, and Belén Cuesta. [1] The film premiered at the Málaga Film Festival on 16 March 2019, [ 2 ] [ 3 ] and released on Netflix on 3 May 2019, becoming the most-watched Spanish ...
The film's title is a play on words in Spanish, with “toc” being both the onomatopoeia for “knock” and the abbreviation for OCD in Spanish (trastorno obsesivo compulsivo). [3] It is the film adaptation of a French play by Laurent Baffie. [4] The film was shown during the summer of 2018 as part of the Cine de Verano in Seville, Spain. [5]
Janire Zurbano of Cinemanía gave the film 3 out of 5 stars, considering that while lacking the rhythm and plot-turns of other Martín Cuenca's films such as Cannibal and The Motive, the almost theatrical mise-en-scène and the visual power of the landscapes put tension and pressure on the viewers; cornering them to identify with the protagonists.
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