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Ragamala paintings are a form of Indian miniature painting, a set of illustrative paintings of the Ragamala or "Garland of Ragas", depicting variations of the Indian musical modes called ragas. They stand as a classical example of the amalgamation of art, poetry and classical music in medieval India.
The title literally means a 'Garland of Raga’, or a ‘Mode of Musical Melodies’ - "mala" means "garland", while "raga" means “musical composition or mode.” This work has inspired the series of Ragamala paintings. The list differs according to the author and the music school it is based upon.
After returning from Europe, Abdullah S.R. (1878–1941) lived in Bandung and later developed his own painting style, which became known as Indonesia Jelita (Mooi Indie). This style emphasizes the beauty and atmosphere of the Indonesian nation with its fertile nature and peaceful people. Natural scenery is a very dominant painting object.
Examples of Indonesian textiles includes batik from Java, to songket and ikat developed in many parts of the archipelago. Batik, which is an art of wax-resist dyeing which creates intricate motifs, was elevated as a national art form—a national costume of Indonesia, which transcends Indonesian ethnic groups. Numbers of patterns and motifs ...
Soewardja (b. 1900), painter who specialized in drawing water color painting; Srihadi Soedarsono (b.1931), painter and lecturer; Sudjana Kerton (1922–1994) Tio Tjay (b. 1946) Umi Dachlan (1943–2009), painter and lecturer at the ITB-Bandung; Yunizar (b. 1971) Popo Iskandar (1927-2000), Painter And Essayist; Motchtar Apin (1923-1994 ...
Marva or Marwa (IAST: Mārvā) portrays being with one's lover and is often portrayed in Ragamala paintings as two couples kissing. It is a hexatonic Indian raga; Pa (the fifth tone) is omitted. Marva is the eponymous raga of the Marva thaat.
Malahari is a Carnatic raga. This raaga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga is known to be a morning raga which brings out a sense of calmness. [1] It is associated with the rainy season. [2]
Kalā means 'performing art' in Sanskrit. In Hindu scriptures, Shiva is the master of Kalā. In the Lalita Sahasranama, the devi is invoked as an embodiment of the 64 fine arts. [1] In some contexts, devi Sarasvati is also attributed with this the 64 kalās and thus she is called Kalanidhi or Chausath Kalamayi. (the owner of 64 kalās)