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The NAMES Project AIDS Memorial Quilt, often abbreviated to AIDS Memorial Quilt or AIDS Quilt, is a memorial to celebrate the lives of people who have died of AIDS-related causes. Weighing an estimated 54 tons, [ 1 ] it is the largest piece of community folk art in the world, as of 2020.
A typical memorial includes a cross (usually wooden), flowers, hand-painted signs, and, in the case of a child's death, stuffed animals. The origin of roadside crosses in the United States has its roots with the early Mexican settlers of the south-western United States, and are common in areas with large Hispanic populations.
The human skull is an obvious and frequent symbol of death, found in many cultures and religious traditions. [1] Human skeletons and sometimes non-human animal skeletons and skulls can also be used as blunt images of death; the traditional figures of the Grim Reaper – a black-hooded skeleton with a scythe – is one use of such symbolism. [2]
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials , which may or may not contain remains, and a range ...
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It is customary for relatives to hold vigils over the dying, in order to accompany them until the very last moment before entering the afterlife. This process, called shǒu líng (守靈), is a way for loved ones to show filial piety and loyalty to the deceased. Family members thus take shifts to watch over a relative on their deathbed.
Early New England Puritan funerary art conveys a practical attitude towards 17th-century mortality; death was an ever-present reality of life, [1] and their funerary traditions and grave art provide a unique insight into their views on death. The minimalist decoration and lack of embellishment of the early headstone designs reflect the British ...
The death of a noble lady and the decay of her body is a series of kusōzu paintings in watercolor, produced in Japan around the 18th century. The subject of the paintings is thought to be Ono no Komachi. [18] There are nine paintings, including a pre-death portrait, and a final painting of a memorial structure: [18] [19]
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