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Octave was considered a departure from previous Moody Blues albums, mainly because of the group's use of lounge-style organs and synthesizers in place of a Mellotron or Chamberlin (Mike Pinder's song "One Step Into the Light" references the Mellotron). Real strings were used on three songs: "Under Moonshine" and "I'm Your Man" (both written by ...
The Moody Bluegrass project is a group of Nashville artists who have recorded two tribute albums of Moody Blues songs in the bluegrass style. The first album, Moody Bluegrass – A Nashville Tribute to the Moody Blues , was released in 2004.
The Moody Blues scored three top-ten singles on the Billboard Hot 100, with "Nights in White Satin" reaching number 2 in Billboard and number 1 in Cashbox. On the UK singles chart , the group also had three top-ten hits, with " Go Now " reaching number 1.
"Driftwood" is a 1978 single by the English progressive rock band the Moody Blues. It was the second single released from the album Octave, after "Steppin' in a Slide Zone". Written by Justin Hayward, "Driftwood" is a slow love ballad, in a similar manner to "Nights in White Satin" and "Never Comes the Day."
He was a founding member and the original keyboard player of the rock group the Moody Blues. He left the group following the recording of the band's ninth album Octave in 1978. Pinder was renowned for his technological contributions to rock music, most notably in the development and emergence of the Mellotron in 1960s rock music.
"Running Water" is a ballad that is highlighted by Hayward's "gentle" acoustic guitar and the synthesized orchestrations. [2] Music journalist Geoffrey Freakes felt that the keyboard refrain sounds a little like the Moody Blues song "The Day We Meet Again", also written by Hayward, from the 1978 album Octave. [2]
Patrick Philippe Moraz (born 24 June 1948) is a Swiss musician, film composer and songwriter, best known for his tenures as keyboardist in the rock bands Yes and the Moody Blues. Born into a musical family, Moraz learned music at a young age and studied at the Lausanne Conservatory. He began a music career in the 1960s as a jazz musician ...
The careful production, layers of overdubs and lush instrumentation made the album difficult to reproduce live in concert. The Moody Blues were able to perform only "Gypsy" live at the time of its release, leading to a creative decision to strip back the production of their next album, A Question of Balance. Hayward reflects on the situation ...
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