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The song appeared first as "Vom Himmel kompt / O Engel kompt" (From Heaven come, O angels come) in a Catholic collection of songs printed in Würzburg in 1622. [1] Similar to the Advent song "O Heiland, reiß die Himmel auf", it belongs to a group of anonymous songs from the beginning of the 17th century which recent scholarship has attributed to Friedrich Spee, [2] [3] however without certainty.
That glorious song of old, From angels bending near the earth To touch their harps of gold; "Peace on the earth, good will to men From heaven's all-gracious King" – The world in solemn stillness lay To hear the angels sing. Still through the cloven skies they come With peaceful wings unfurled, And still their heavenly music floats O'er all ...
Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note. In a minor scale, the third degree is a minor third above the tonic. Similarly, in a major triad or major seventh chord, the ...
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Angels' Carol is a popular sacred choral piece by John Rutter for Christmas. He wrote his own text, beginning "Have you heard the sound of the angel voices", [1] three stanzas with the refrain "Gloria in excelsis Deo". It has been part of recordings of collections of Christmas music, including one conducted by the composer.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
C-flat major is the home key of the harp, with all its pedals in the top position, and it is considered the most resonant key for the instrument.Thus, in Richard Strauss's Ein Heldenleben, the first cue for the harps is written in C-flat major even though the rest of the orchestra, having previously played in E-flat major, retains a 3-flat key signature and is now playing in B major, marked ...
However, Johann Sebastian Bach chose C-sharp major for Prelude and Fugue No. 3 in both books of The Well-Tempered Clavier. In Hungarian Rhapsody No. 6, Franz Liszt takes the unusual step of changing the key from D-flat major to C-sharp major near the start of the piece, and then back again to B-flat minor.
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