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During the 1970s, the MC-2300 was an expensive piece of audio equipment, with a retail price of $1799 by the time of its discontinuation in 1980. [1] That being said, its outstanding power and sound production quality made it a valued part of many recording studios and although some people prefer the sound of tube amplifiers, the overall greater reliability and freedom from repair of the newer ...
Solid state linear amplifiers are more common in the 1000-watt range and can be driven by as little as 5 watts. [3] Modern power devices using LDMOS technology allow for more efficient, cost-effective linear RF power amplifiers for the amateur radio community.
The first amplifier produced was the Phase Linear 700. With 350 watts per channel it soon became the standard amplifier used by recording studios, sound reinforcement companies, professional musicians and audiophiles. It had a retail price of $749.00, or a little more than a dollar a watt.
In 1983, Yorkville Sound created their own "Sound Crew" line of concert speakers. In 1985, two new product lines appeared with the introduction of the "élite" series of portable loudspeakers with non-user adjustable 'black box' processing and the "Audiopro" line of electronic amplifiers. A thousand-watt subwoofer was brought out in 1986: the ...
Bob Carver used "distortion pots" to introduce amplifier characteristics, fine-tuned to null-out any sound differences. His modified amplifier sound was so similar, Stereophile Magazine editors could not tell the difference between his amplifier and one costing more than $6,000. [5] This amplifier was marketed as the M1.0t for about $400.00.
The dynamic headroom was 0.63 dB. ... The distortion at 1,000 Hz was nearly unmeasurable at any power level. It was no more than 0.003% from 0.1 to 100 watts output, rose to 0.0045% between 200 and 290 watts, and reached its maximum of 0.008% at 300 watts, just before clipping occurred.
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