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"Golden Guitar" is a song written by Billy Gray and Curtis Leach. It was first recorded by American country singer-songwriter Bill Anderson . It was released as a single in 1965 via Decca Records and became a major hit.
“Love doesn’t make the world go round. Love is what makes the ride worthwhile.” — Franklin P. Jones “A successful marriage requires falling in love many times, always with the same ...
"While My Guitar Gently Weeps" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as the "White Album"). It was written by George Harrison, the band's lead guitarist, as an exercise in randomness inspired by the Chinese I Ching. The song conveys his dismay at the world's unrealised potential for ...
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
"State of Love and Trust" is a song by the American rock band Pearl Jam. Featuring lyrics written by vocalist Eddie Vedder and music co-written by guitarist Mike McCready and bassist Jeff Ament , "State of Love and Trust" first appeared on the soundtrack to the 1992 film, Singles .
Bay did not have a guitar teacher, so Bay watched the few guitarists he knew and copied their fingering on the fretboard, teaching himself chords. Once he felt he knew the rudiments of the guitar, he started experimenting with other instruments, including the tenor banjo , mandolin , Hawaiian guitar , and ukulele .
"Three Chords and the Truth" was co-written by Sara Evans, Ron Harbin, and Aimee Mayo.The latter songwriter would later be a frequent collaborator with Evans. [2] [failed verification] The song's plot focuses on lost love and the narrator reconciling with her partner.
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).