Search results
Results from the WOW.Com Content Network
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
The corner market seen in the film was Speedy's New Union Grocery at 301 Union at the corner of Montgomery, which also closed in 2008 after 93 years in business. Marc Bennett's office building was the Crocker flatiron building located at One Post Street, which in 1969 was demolished and replaced by the skyscraper now known as McKesson Plaza .
Panic in the Streets is a 1950 American medical-themed film noir thriller, directed by Elia Kazan and released by 20th Century Fox.It was shot exclusively on location in New Orleans, Louisiana, and features numerous scenes around the city and Port of New Orleans along the Mississippi River and showing various New Orleans citizens in speaking and non-speaking roles.
Film noir is of course the dark, mysterious genre made popular in the 1940s and '50s and full of long shadows, shady characters, gloomy streets, inky nights and dimly lit rooms.
The 2024 Oscar nominations are here! The ten films competing for the night's most coveted trophy—Best Picture—are diverse in their genre, tone, and style, and nearly all are available to watch ...
A blend of smooth jazz music and tobacco smoke fills the air as the silhouette of a trench coat and fedora-clad bystander trudges down a dark city corridor, accompanied only by his shadow. The ...
The Hitch-Hiker full film. The Hitch-Hiker is a 1953 American independent [2] film noir thriller co-written and directed by Ida Lupino, and starring Edmond O'Brien, William Talman and Frank Lovejoy. Based on the 1950 killing spree of Billy Cook, the film follows two friends who are taken hostage by a murderous hitchhiker during an automobile ...
The tone of film noir is generally regarded as downbeat; some critics experience it as darker still—"overwhelmingly black", according to Robert Ottoson. [223] Influential critic (and filmmaker) Paul Schrader wrote in a seminal 1972 essay that "film noir is defined by tone", a tone he seems to perceive as "hopeless". [224]