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Often the use of musical quotation has an ironic edge, whether the musician is aiming for an amusing juxtaposition or is making a more pointed commentary (as when a youthful Rollins, playing alongside Charlie Parker on Miles Davis's Collector's Items, throws in a snippet of "Anything You Can Do I Can Do Better," [9] or when the avant-garde ...
Part III consists of only five numbers, each rather more extensive than most of those in the earlier sections of the oratorio. The Part has, on the whole, a greater unity than its predecessors. [65] The musical and emotional climax to the whole work is the penultimate ensemble: "I Would Know my Shadow and my Light".
Ligeti's music appears to have been subsequently influenced by his electronic experiments, and many of the sounds he created resembled electronic textures. Ligeti coined the term " micropolyphony " to describe the texture of the second movement of Apparitions (1958–59) and Atmosphères (1961).
Music is at once the product of feeling and knowledge, for it requires from its disciples, composers and performers alike, not only talent and enthusiasm, but also that knowledge and perception which are the result of protracted study and reflection.
The Pulitzer Prize for Music is one of seven Pulitzer Prizes awarded annually in Letters, Drama, and Music. It was first given in 1943. Joseph Pulitzer arranged for a music scholarship to be awarded each year, and this was eventually converted into a prize: "For a distinguished musical composition of significant dimension by an American that has had its first performance in the United States ...
Since the invention of sound recording, a classical piece or popular song may exist as a recording.If music is composed before being performed, music can be performed from memory (the norm for instrumental soloists in concerto performances and singers in opera shows and art song recitals), by reading written musical notation (the norm in large ensembles, such as orchestras, concert bands and ...
In Germany, too, pieces called motets were written in the new musical languages of the Baroque. Heinrich Schütz wrote many motets in series of publications, for example three books of Symphoniae sacrae, some in Latin and some in German. Hans Leo Hassler composed motets such as Dixit Maria, on which he also based a mass composition.
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).