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Jean-Paul Marat was born in Boudry, in the Prussian Principality of Neuchâtel (now a canton of Switzerland), on 24 May 1743. [7] He was the first of five children born to Jean Mara (born Juan Salvador Mara; 1704–1783), a Sardinian [ 8 ] [ 9 ] from Cagliari , and Louise Cabrol (1724–1782), from Geneva . [ 10 ]
Jean-Paul Marat led the attack on the representatives in the National Convention, who in January had voted against the execution of the King and since then had paralyzed the convention. It ended after thousands of armed citizens surrounded the convention to force it to deliver the deputies denounced by the Commune.
L'Ami du peuple (French: [lami dy pœpl], The Friend of the People) was a newspaper written by Jean-Paul Marat during the French Revolution. "The most celebrated radical paper of the Revolution", according to historian Jeremy D. Popkin, [1] L’Ami du peuple was a vocal advocate for the rights of the lower classes and was an outspoken critic against those Marat believed to be enemies of the ...
The Triumph of Marat (French: Le Triomphe de Marat) is an oil on canvas history painting by the French artist Louis-Léopold Boilly, from 1794. [ 1 ] [ 2 ] It is in the collection of the Palais des Beaux-Arts de Lille , having been acquired in 1865.
Jean-Paul Marat, Jacques-René Hébert and Camille Desmoulins depicted Madame Roland as a manipulative courtesan who deceived the virtuous Roland; in their articles and pamphlets they compared her to Madame du Barry and Marie Antoinette. Although Danton and Robespierre also attacked her in their writings, they presented her as a dangerous ...
Jean-Paul Marat: A Historico-Biographical Sketch (1882) A Handbook of the History of Philosophy (1886) A Short Account of the Commune of Paris of 1871, with Victor Dave & William Morris (1886) Religion of Socialism (1886) The Story of The French Revolution (1890) Outlooks From a New Standpoint (1891) The Problem of Reality (1893) The Ethics of ...
These currents of thought in French philosophy proved influential during the French Revolution of 1789 in which various anti-monarchists, particularly the Jacobins, supported the idea of redistributing wealth equally among the people, including Jean-Paul Marat and Gracchus Babeuf.
The Death of Marat (French: La Mort de Marat or Marat Assassiné) is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. [1]