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This two-person dance form has the man performing as the bullfighter and the woman as the cape. [9] It is known as one of the fastest Latin ballroom dances because dancers make around 120 to 130 beats/steps per minute. Flamenco-like qualities infuse the dance as the man and woman challenge each other. Amparito Roca being played by a wind band
In 1887, German dance theorist Friedrich Albert Zorn analogized aplomb in dancers as "the sureness of touch of the pianist". [5] Friedrich Zorn described aplomb in terms of both its outward appearance and its underlying technique, saying that "[a]plomb is the absolute safety in rising and falling back which results from the perpendicular ...
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality.
Literal translation Definition Campana: bell: A bell used in an orchestra; also campane "bells" Cornetto: little horn: An old woodwind instrument Fagotto: bundle: A bassoon, a woodwind instrument played with a double reed Orchestra: orchestra, orig. Greek orkesthai "dance" An ensemble of instruments Piano(forte) soft-loud: A keyboard instrument ...
Solo dance – a dance danced by an individual dancing alone. Partner dance – dance with just 2 dancers, dancing together. In most partner dances, one, typically a man, is the leader; the other, typically a woman, is the follower. As a rule, they maintain connection with each other. In some dances the connection is loose and called dance ...
In the middle of the dance, the bal director walked between the couples with a bag and the dancers turned in a token. [2] In the 1930s, gypsy jazz, a rhythmic form of swing music, drew on musette styles. By 1945, the bal-musette became the most popular style of dance in France and its biggest stars were widely known across the country.
"La cumparsita" is very popular at milongas; it is a common tradition for it to be played as the last dance of the evening. [12] It is sometimes referred to as "the National Anthem of Tango". The song was named cultural and popular anthem of Uruguay by law [13] in 1997. [14] [15]
Many of the English tourists summering in France were fascinated by the dance and then brought it home with them back to England. In the same year the English dancing magazine Dancing Times included pictures of people dancing tango and milonga which only helped to further the spread of these dances. within a few years tango and milonga were ...