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The Fettered Woman is a 1917 American silent drama film directed by Tom Terriss and starring Alice Joyce, Webster Campbell, and Donald MacBride. [1] Based on the 1914 novel Anne's Bridge by Robert W. Chambers, it is now considered a lost film.
The women then marched the victim to a railroad camp, tied by the wrists, where two hundred workmen stopped work to watch the spectacle. After parading Mrs. Lowry through the camp, the women tied her to a large box where she remained until a man released her. Three of the women involved were arrested, pleaded guilty and each paid a $10.00 fine ...
She was an avid writer and her writings included: Fettered for Life (1872), a novel dealing with the woman's suffrage question; Woman's Place To-day (1883), a series of lectures in reply to the lenten sermons by Dr. Morgan Dix on the "Calling of a Christian Woman"; [10] and A Daring Experiment (1894). [11]
prisoner walk in legcuffs Chain gang street sweepers, 1909. Legcuffs are physical restraints used on the ankles of a person to allow walking only with a restricted stride and to prevent running and effective physical resistance. [1]
Femmes fatales were standard fare in hardboiled crime stories in 1930s pulp fiction.. A femme fatale (/ ˌ f ɛ m f ə ˈ t æ l,-ˈ t ɑː l / FEM fə-TA(H)L, French: [fam fatal]; lit. ' fatal woman '), sometimes called a maneater, [1] Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising ...
Women may not always get the historical credit their male counterparts do, but as these women show, they were always there doing the work. With their fierce determination and refusal to back down, all of these 12 women were not just ahead of their own times, but responsible for shaping ours.
The Fettered Woman; The Fighting Chance (1920 film) The Firing Line; G. ... The Woman Between Friends This page was last edited on 26 July 2021, at 15:09 (UTC). Text ...
On the other hand, the women in the tales who do speak up are framed as wicked. Cinderella's stepsisters' language is decidedly more declarative than hers, and the woman at the center of the tale "The Lazy Spinner" is a slothful character who, to the Grimms' apparent chagrin, is "always ready with her tongue."