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A copy made with carbon paper. Before the development of photographic copiers, a carbon copy was the under-copy of a typed or written document placed over carbon paper and the under-copy sheet itself (not to be confused with the carbon print family of photographic reproduction processes). [1]
Carbonless copy paper; Photographic processes: Reflex copying process (also reflectography, reflexion copying) Breyertype, Playertype, Manul Process, Typon Process, Dexigraph, Linagraph; Daguerreotype; Salt print; Calotype (the first photo process to use a negative, from which multiple prints could be made) Cyanotype; Photostat machine; Rectigraph
Using letter copying presses, copies could be made up to twenty-four hours after a letter was written, though copies made within a few hours were best. A copying clerk would begin by counting the number of master letters to be written during the next few hours and by preparing the copying book. Suppose the clerk wanted to copy 20 one-page letters.
The process was called mimeography, and a copy made by the process was a mimeograph. Mimeographs, along with spirit duplicators and hectographs, were common technologies for printing small quantities of a document, as in office work, classroom materials, and church bulletins.
A sheet of carbon paper, with the coating side down Handwriting duplicated through carbon paper. Carbon paper (originally carbonic paper) consists of sheets of paper that create one or more copies simultaneously with the creation of an original document when inscribed by a typewriter or ballpoint pen. The email term cc which means ‘carbon ...
It was usually used with carbon paper for typing duplicates in a typewriter, for permanent records where low bulk was important, or for airmail correspondence. [3] It is typically 25–39 g/m 2 (9-pound basis weight in US units), and may be white or canary-colored.
This has to do with the negatives (separations) being right- or wrong-reading and the image "flopping" during the transfer process. Because the carbon printing process uses pigments instead of dyes, it is capable of producing a far more archivally stable (permanent) print than any of the other color processes. Good examples of the color ...
In visual art, copying the works of the masters is a standard way that students learn to paint and sculpt. [1] Often, artists will use the term after to credit the original artist in the title of the copy (regardless of how similar the two works appear) such as in Vincent van Gogh's "First Steps (after Millet)" and Pablo Picasso's "Luncheon on the Grass, after Manet" (based on Manet's well ...
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