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Umera Ahmed was born on 10 December 1976, in Sialkot, Pakistan. She completed her Masters in English Literature from Murray College, Sialkot, the same college that produced one of the most celebrated and gifted scholars and poets (in British held India) of 20th century, Allama Muhammad Iqbal. Despite being active on social media, and involved ...
Pir-e-Kamil or Peer-e-Kamil (Urdu: پیر کامل صلی اللہ علیہ و آلہ و سلم; meaning "The Perfect Mentor") is a novel written by Pakistani writer Umera Ahmad. [1] It was first published in Urdu in 2004 and later in English in 2011.
The 1st Hum Awards (for 2012) was held in 2013, Umera Ahmed was the first winner of award for the screenplay adaptation of Maat from her novel of same name. Since its inception, the award has been awarded to three writers, Umera Ahmed is the most nominated and awarded writer with five nominations, and two wins.
It was directed by Ilyas Kashmiri, script by Qaisra Hayat, and screenplay by Umera Ahmad. It stars Eshal Fayyaz, Noor Hassan Rizvi, Zainab Ahmed, and Ahmed Zeb in pivotal roles. [1] The show was moved from the Sunday 8p.m. slot to the Saturday 8p.m. slot after Gul-e-Rana ended and another drama series, Udaari, took the Sunday evening slot.
Zindagi Gulzar Hai (Urdu: زندگی گلزار ہے, English: "Life is Wonderful") is a Pakistani television series directed by Sultana Siddiqui, produced by Momina Duraid under the banner Moomal Productions, which was first broadcast on Hum TV.
Shehr-e-Zaat (Urdu: شہرذات ; lit: City of Self) is a novella by Pakistani fiction writer Umera Ahmad published in 2002. A blog at the Express Tribune describes the story as a fictional story with an elements of spiritualism and philosophy.The story depicts the obsession of individuals with worldly life, forgetting their creator—a journey from self to
It is directed by Haseeb Hassan and written by Umera Ahmed. It stars Kubra Khan , Ramsha Khan , Gohar Rasheed , Talha Chahour and others. [ 1 ] [ 2 ] The storyline delves into toxic trends within the entertainment industry , touching on themes such as sensationalism and public humiliation for ratings. [ 3 ]
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