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"Song 2" is a song by English rock band Blur. It is the second song on their eponymous fifth studio album.Released physically on 7 April 1997, "Song 2" peaked at number two on the UK Singles Chart, number four on the Australian ARIA Singles Chart, It was also popular on radio stations in the US; consequently, it peaked at number 55 on the Hot 100 Airplay chart, number 6 on Billboard ' s Modern ...
The first tablature program was written for the Amstrad CPC 464 in 1986. "Tab Composer CPC" was implemented in Locomotive BASIC 1.0. It offered a multi-page graphical WYSIWYG, 3-channel polyphonic playback and volume and tone envelope functionality, as well as save and load.
The "power chord" as known to modern electric guitarists was popularized first by Link Wray, who built on the distorted electric guitar sound of early records and by tearing the speaker cone in his 1958 instrumental "Rumble." A later hit song built around power chords was "You Really Got Me" by the Kinks, released in 1964. [8]
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Guitar Hero is a music video game for the Sony PlayStation 2 developed by Harmonix and released in 2005. Guitar Hero ' s gameplay features the use of a special guitar-shaped controller modeled after a Gibson SG guitar to recreate the lead guitar part of several rock music songs; the player scores in the game by both pressing one or more fret buttons on the controller and using a strum bar in ...
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e
In rock music from the late 1960s to the 2000s, the timbre of specific sounds is important to a song. For example, in heavy metal music, the sonic impact of the heavily amplified, heavily distorted power chord played on electric guitar through very loud guitar amplifiers and rows of speaker cabinets is an essential part of the style's musical ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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