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The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]
James Elton Keyes (born June 16, 1944) is a former American football placekicker and linebacker who played two seasons with the Miami Dolphins of the National Football League (NFL). He played college football at Mississippi and was drafted by the Dolphins in the second round of the 1968 NFL/AFL Draft .
It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of the Chords, and was released in 1954. It is sometimes considered the first doo-wop or rock and roll record to reach the top ten on the pop charts (as opposed to the R&B charts), as it was a top-10 hit that year for both the Chords (who ...
Note: These songlists include the names of the artists who most famously recorded the song. The songs as they appear in the game are covers, with the exceptions being the song "Dance Like There's No Tomorrow", which is the master recording of the Paula Abdul song, and 10 original Mowtown songs in the Xbox version of Karaoke Revolution
The Two Gospel Keys recorded "You've Got to Move", which was released on a 78-rpm record in 1948. [1] Emma Daniels (vocals and guitar) and Mother Sally Jones (vocals and tambourine) comprised the gospel music duo. [ 2 ]
Songs in A Minor is the debut studio album by American singer and songwriter Alicia Keys, released on June 12, 2001, by J Records. [4] [5]Keys began writing songs for the album in 1995 at age 14 and recording the album in 1998 for Columbia Records, but after they rejected it, she signed a recording contract with Clive Davis's Arista Records and eventually J Records.
DeGarmo & Key was a Christian rock band/duo formed in 1977 by Eddie DeGarmo and Dana Key. [1] The group is notable for having the first Christian rock album nominated for a Grammy award and the first American Christian group to have a video entered into MTVs rotation.
The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African-American clergymen and pastors began preaching in a charismatic, musical call-and-response style. [3]