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Le Tallec's pieces without these marks are likely to be produced between 1930 and 1941. Incrementation of the dating system was done every six-month period from 1941 to 1991, then every year since. By 1978, date of the transfer of the atelier from Belleville to rue de Reuilly in Paris, the date mark starts by R (for Reuilly), then the letter.
Marks on a piece by Le Tallec for Tiffany & Co. Camille Le Tallec (November 9, 1906 – August 21, 1991) was a French porcelain craftsman and artist. Biography
As Mark Girouard writes, "opulence was the key-note of this" [22] and thus "eighteenth-century French furniture, porcelain and bronzes of superb quality combined" [22] dominated this specific 19th-century collection. Ferdinand's first purchase of Sèvres is a poignant narrative at Waddesdon manor, in which at 21 years old, he treated himself to ...
There were realized in the French technical tradition of the 18th and 19th centuries, developed for the Sèvres porcelain. [1] From 1961, some of the Le Tallec's patterns were especially created for Tiffany & Co and by 1990 when the studio was acquired by the jewelry and silverware company an extensive new creation process had then been engaged.
Chantilly porcelain is French soft-paste porcelain produced between 1730 and 1800 by the manufactory of Chantilly in Oise, France. The wares are usually divided into three periods, 1730–1751, 1751–1760, and a gradual decline from 1760 to 1800. The factory made table and tea wares, small vases, and some figures, these all of Orientals.
Saint-Cloud faience plate, 1700–1710 Saint Cloud soft porcelain vase, with blue designs under glaze, 1695–1700. Saint-Cloud porcelain was a type of soft-paste porcelain produced in the French town of Saint-Cloud from the late 17th to the mid 18th century.
Price on eBay: $16,000 This vintage porcelain doll, which stands 21 inches tall, was manufactured in Germany but is dressed in French attire. Made by Jumeau, one of the most iconic porcelain doll ...
Even before the French Revolution, the initially severe style of Neoclassicism had begun to turn grandiose and ornate in goods for the courts of the Ancien Régime. This trend deepened with the rise of Napoleon, which followed a difficult period for French porcelain factories.