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Date ranges of classical music eras are therefore somewhat arbitrary, and are only intended as approximate guides. Scholars of music history do not agree on the start and end dates, and in many cases disagree whether particular years should be chosen at all. The 20th century has exact dates, but is strictly a calendar based unit of time.
[[Category:Music history templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Music history templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
The table of years in music is a tabular display of all years in music, to provide an overview and quick navigation to any year. Contents: 1300s – 1400s – 1500s – 1600s – 1700s – 1800s – 1900s – 2000s – Other
It has been used widely since the middle of the 18th century (the early Classical period). Arch form – sectional structure for a piece of music based on repetition, in reverse order, of all or most musical sections such that the overall form is symmetric, most often around a central movement. The sections need not be repeated verbatim but ...
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"But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge."
2025 in music, 2025 in American music. Deaths of Peter Yarrow, Sam Moore, David Lynch, John Sykes, Garth Hudson, Unk, Marianne Faithfull, Irv Gotti, Dave Jerden; 2024 in music, 2024 in African music, 2024 in Asian music, 2024 in British music, 2024 in American music, 2024 in Canadian music, 2024 in Japanese music, 2024 in Philippine music, 2024 in Scandinavian music, 2024 in South Korean music
In European art music, the common practice period was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.
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