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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
In his article, Georges Meurant, collector, author of studies on African art and former professor at the Royal Academy of Fine Arts in Brussels, Belgium, discusses the mostly small-format sculptures made of wood or clay of the ethnic groups south of the Kenyan border in the north-eastern part of the country. [28]
Measuring about 48-55 centimeters in height, ndop were carved in hardwood and anointed with palm oil to protect them from insects, which is unique in African art and underscores their survival in Western collections today. Ndop sculptures depict subjects sitting cross-legged, a posture that is equally unique in African sculpture.
The metal pieces were made using lost-wax casting and are considered among the best African sculptures made using this technique. [21] Benin began to trade ivory, pepper, and slaves [ 22 ] with the Portuguese in the late 15th century and incorporated the use of manillas (brass ingots in the form of bracelets, bought from the Portuguese) as a ...
The Memorial Head (Nsodie) at the Metropolitan Museum of Art was created in the 17th–mid-18th century. It was found in Ghana, Twifo-Heman traditional area from the Akan peoples. These heads were commissioned by the Akan peoples to memorialize royal personages before death. It was thought that elderly women artists fulfilled these commissions. [3]
Among Nok terracotta sculptures at Pangwari, there are sculptures portraying a large teeth-bearing therianthropic (human-feline) figure and the torso of a seated figure wearing a belt around their waist and a necklace, which had added features (e.g., bows, knots); there are also sculptures portraying the head of a human figure that has a bird ...
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The most widely found - about twenty percent of statues belong to this type - is a figure who raises his hands in front of his face in a gesture often interpreted as praying. The second most prevalent theme is that of mother and child. The art of Lower Zaire, and especially the art of Mayombe, is known for privileging maternity subjects. The ...