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The track features guitars and drum set in a 1960s pop fashion. The chorus includes multiples long tones over abnormal chords and the verses are noticeably accompanied by a soft electric piano. The lyrics speak of reminiscing about romantic evenings on the beach with a lover. [original research?]
Like those of Carmichael's composition "Skylark", the lyrics of "Baltimore Oriole" convey a love affair in terms of a bird–in this case the Baltimore oriole. [2] In the description of his biographer Richard Sudhalter , the song is "one of Carmichael's most evocative of the time" and addresses "the effects of a wayward eye on an avian love ...
The Rip Chords were an early-1960s American vocal group, originally known as the Opposites, composed of Ernie Bringas and Phil Stewart. [1] The group eventually expanded into four primary voices, adding Columbia producer Terry Melcher and co-producer Bruce Johnston (best known as a member of the Beach Boys ).
A [[contr afact]] is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to ...
"California Killed Me" by Night Club (band) "California King Bed" by Rihanna "California Love" by 2Pac featuring Dr. Dre "California Paradise" by The Runaways "California Rain" by Silvertide "California Sex Lawyer" by Fountains of Wayne "California Stars" by Woody Guthrie, Jay Bennett & Jeff Tweedy "California Style" by Eddy Grant
"And Your Bird Can Sing" is a song by the English rock band the Beatles. It was released on their 1966 album Revolver, apart from in the United States and Canada, where it instead appeared on Yesterday and Today. The song was written mainly by John Lennon and credited to Lennon–McCartney.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The cuckoo is a fine bird he sings as he flies, He brings us good tidings and tells us no lies. He sucks the sweet flowers to make his voice clear, And the more he cries cuckoo, the summer is nigh. [4] (In many American versions, the cuckoo patriotically "never sings 'cuckoo' till the fourth of July".
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