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(comprises 48, 56 or 64 kbit/s audio and 16, 8 or 0 kbit/s auxiliary data) 14 bit 4 ms Yes No No No G.722.1: Modulated Lapped Transform (MDCT), Lossy (based on Siren Codec) 16 kHz 24, 32 kbit/s 16 bit 40 ms Yes No No No G.722.1C Modulated Lapped Transform (MDCT), Lossy (based on Siren Codec) 32 kHz 24, 32, 48 kbit/s 16 bit 40 ms Yes No No No
24-bit and 32-bit audio does not require dithering, as the noise level of the digital converter is always louder than the required level of any dither that might be applied. 24-bit audio could theoretically encode 144 dB of dynamic range, and 32-bit audio can achieve 192 dB, but this is almost impossible to achieve in the real world, as even ...
Sbus 32-bit/25 MHz: 800 Mbit/s: 100 MB/s: 1989 DEC TURBOchannel 32-bit/25 MHz: 800 Mbit/s: 100 MB/s: Local Bus 98 32-bit/33 MHz: 1056 Mbit/s: 132 MB/s [35] VESA Local Bus (VLB) 32-bit/33 MHz: 1067 Mbit/s: 133.33 MB/s: 1992 PCI 32-bit/33 MHz: 1067 Mbit/s: 133.33 MB/s: 1993 HP GSC-1X: 1136 Mbit/s: 142 MB/s: Zorro III 32-bit/async (eq. 37.5 MHz ...
64 volume settings / 8 bit: 16 kHz FM synthesizer: 6-voice FM synthesizer, 5 percussion instruments Roland MT-32: 1987: 16 bit: 32 kHz MIDI synthesizer: 8 melodic channels; 1 rhythm channel Sound Blaster: 1989: 8 bit: 22.05 kHz FM synthesizer + DSP: 1 DAC; 11-voice FM synthesizer Innovation SSI-2001: 1989: 8 bit: 3906.19 Hz max. PSG: 3 voices ...
16 devices 64 channels 83 μs per hop 48 kHz UMAN IEEE 1394 and Ethernet AVB [o] Isochronous and asynchronous Coexists with Ethernet IP-based XFN Daisy chain in ring, tree, or star (with hubs) fault tolerant ring, device redundancy Cat5e=50 m, Cat6=75 m, MM=1 km, SM=>2 km Unlimited 400 channels (48 kHz/24 bit) [p] 354 μs + 125 μs per hop [q]
High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.
Bit depth directly corresponds to the resolution of each sample in a set of digital audio data. Common examples of bit depth include CD quality audio, which is recorded at 16 bits, SACD with effective 20-bit resolution, and DVD-Audio, which can support up to 24-bit audio. Bit rate
There was a long debate over the use of 16-bit (Sony) or 14-bit (Philips) quantization, and 44,056 or 44,100 samples/s (Sony) or approximately 44,000 samples/s (Philips). When the Sony/Philips task force designed the Compact Disc, Philips had already developed a 14-bit D/A converter (DAC), but Sony insisted on 16-bit. In the end Sony won, so 16 ...
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