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The values embodied in cultural heritage [2] are identified in order to assess significance, prioritize resources, and inform conservative-restorative decision-making. It is recognised that values may compete and change over time, and that heritage may have different meanings for different stakeholders .
Cultural property includes the physical, or "tangible" cultural heritage, such as artworks. These are generally split into two groups of movable and immovable heritage. Immovable heritage includes buildings (which themselves may include installed art such as organs, stained glass windows, and frescos), large industrial installations, residential projects, or other historic places and monum
One of the central problems in the anthropology of art concerns the universality of 'art' as a cultural phenomenon. Several anthropologists have noted that the Western categories of 'painting', 'sculpture', or 'literature', conceived as independent artistic activities, do not exist, or exist in a significantly different form, in most non-Western contexts. [9]
Cultural history records and interprets past events involving human beings through the social, cultural, and political milieu of or relating to the arts and manners that a group favors. Jacob Burckhardt (1818–1897) helped found cultural history as a discipline.
Pottery is an easily recognised form of material culture as it is commonly found as archaeological artifacts, representing cultures of the past. Material culture is the aspect of culture manifested by the physical objects and architecture of a society.
Western culture in general and Anglo-American culture in particular is a bibliocentric culture. It often trades in allusions to the Christian Bible, [ 2 ] the influential works of Early Modern English such as works of William Shakespeare , the Thomas Cranmer Book of Common Prayer , Geoffrey Chaucer 's poetry, and many others.
Art history . . . is a malleable discipline, but understanding developments in art depends on it—or at the very least is enhanced by it.
Art valuation, an art-specific subset of financial valuation, is the process of estimating the market value of works of art. As such, it is more of a financial rather than an aesthetic concern, however, subjective views of cultural value play a part as well.