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The book is a foundational text in cultural anthropology and represents Geertz’s vision of how culture should be studied and understood. The essays collectively argue for a new approach to anthropology , one that emphasizes the interpretive analysis of culture, which Geertz describes as “webs of significance” spun by humans themselves.
One of the central problems in the anthropology of art concerns the universality of 'art' as a cultural phenomenon. Several anthropologists have noted that the Western categories of 'painting', 'sculpture', or 'literature', conceived as independent artistic activities, do not exist, or exist in a significantly different form, in most non-Western contexts. [9]
Dance – art form of movement of the body. Film – moving pictures, the art form that records performances visually. Theatre – collaborative form of fine art that uses live performers to present the experience of a real or imagined event before a live audience in a specific place. Music – art form the medium of which is sound and silence.
Art history . . . is a malleable discipline, but understanding developments in art depends on it—or at the very least is enhanced by it.
Cultural history also examines main historical concepts as power, ideology, class, culture, cultural identity, attitude, race, perception and new historical methods as narration of body. Many studies consider adaptations of traditional culture to mass media (television, radio, newspapers, magazines, posters, etc.), from print to film and, now ...
The values embodied in cultural heritage [2] are identified in order to assess significance, prioritize resources, and inform conservative-restorative decision-making. It is recognised that values may compete and change over time, and that heritage may have different meanings for different stakeholders .
Art criticism includes a descriptive aspect, [3] where the work of art is sufficiently translated into words so as to allow a case to be made. [2] [3] [7] [11] The evaluation of a work of art that follows the description (or is interspersed with it) depends as much on the artist's output as on the experience of the critic.
Glittering Images: A Journey Through Art from Egypt to Star Wars is a 2012 book by American cultural critic Camille Paglia, in which the author discusses notable works of applied and visual art from ancient to modern times. Paglia wrote that she intended it to be a personalized "journey" through art history, focusing on Western works.