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Skilled users of the language can produce effects such as humor by varying the normal patterns of collocation. This approach is popular with poets, journalists and advertisers. Collocations may seem natural to native writers and speakers, but are not obvious to non-native speakers.
Collocations can be in a syntactic relation (such as verb–object: make and decision), lexical relation (such as antonymy), or they can be in no linguistically defined relation. Knowledge of collocations is vital for the competent use of a language: a grammatically correct sentence will stand out as awkward if collocational preferences are ...
Repetition uses the same word, or synonyms, antonyms, etc. For example, "Which dress are you going to wear?" – "I will wear my green frock," uses the synonyms "dress" and "frock" for lexical cohesion. Collocation uses related words that typically go together or tend to repeat the same meaning. An example is the phrase "once upon a time".
Collocation extraction is the task of using a computer to extract collocations automatically from a corpus.. The traditional method of performing collocation extraction is to find a formula based on the statistical quantities of those words to calculate a score associated to every word pairs.
Ubiquitous collocations like loud and clear and life or death are fixed expressions, making them a standard part of the vocabulary of native English speakers. Some English words have become obsolete in general but are still found in an irreversible binomial. For example, spick is a fossil word that never appears outside the phrase spick and ...
Harold Edward Palmer, usually just Harold E. Palmer (6 March 1877 – 16 November 1949), was an English linguist, phonetician and pioneer in the field of teaching English as a second language. [1] Especially he dedicated himself to the Oral Method , also known as the Oral Approach, the Situational Approach, or Situational Language Teaching (SLT ...
In linguistics, a copula (/ ˈ k ɒ p j ə l ə /; pl.: copulas or copulae; abbreviated cop) is a word or phrase that links the subject of a sentence to a subject complement, such as the word is in the sentence "The sky is blue" or the phrase was not being in the sentence "It was not being cooperative."
An example given by John Sinclair is the verb set in, which has a negative prosody: e.g. rot (with negative associations) is a prime example of what is going to 'set in'. [1] Another well-known example is the verb sense of cause , which is also used mostly in a negative context (accident, catastrophe, etc.), [ 2 ] though one can also say that ...