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Some Spanish-speaking people advocate for the use of the pronouns elle (singular) and elles (plural). [14] Spanish often uses -a and -o for gender agreement in adjectives corresponding with feminine and masculine nouns, respectively; in order to agree with a gender neutral or non-binary noun, it is suggested to use the suffix -e.
At the end, Arthur makes a connection with nature (something that is rare in Castellanos’ work) and finds peace with himself and with the world. It is the only story within the novel with a “happy ending”. Castellanos admired writers such as Gabriela Mistral, Emily Dickinson, Simone de Beauvoir, Virginia Woolf, and Simone Weil. [6]
For example, in Spanish, the masculine gender generally precedes the feminine, and the default form of address for a group of students is the masculine plural los estudiantes, regardless of the gender composition of the group. On the other hand, the feminine plural las estudiantes refers to a group consisting only of female students. [2]
Every Spanish noun has a specific gender, either masculine or feminine, in the context of a sentence. Generally, nouns referring to males or male animals are masculine, while those referring to females are feminine. [1] [2] In terms of importance, the masculine gender is the default or unmarked, while the feminine gender is marked or distinct. [2]
[26] Today, when these masculine words are modified to refer to a woman a suffix is added. [27] One way to combat this, deemed exclusionary grammar, was to use a masculine form in reference to a man, and a feminine form in reference to a woman in order to make women visible. [27]
Feminine el is never used, however, before feminine adjectives that begin with a stressed a: la alta montaña = "the high mountain" la ancha calle = "the wide street" Azúcar is a very special case. Its a-is unstressed, but it usually takes el even when feminine.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
Furthermore, some see evidence of the intentional preference of the masculine over the feminine. It has been argued that 17th-century grammaticians who wanted to assert male dominance worked to suppress the feminine forms of certain professions, leading to the modern-day rule that prefers the masculine over the feminine in the French language. [4]