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"Morgen!" ("Tomorrow!") is the last in a set of four songs composed in 1894 by the German composer Richard Strauss.It is designated Opus 27, Number 4.. The text of this Lied, the German love poem "Morgen!", was written by Strauss's contemporary, John Henry Mackay, who was of partly Scottish descent but brought up in Germany.
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff , are approaching Macbeth 's castle to besiege it.
Demain dès l'aube (English: Tomorrow at dawn) is one of French writer Victor Hugo's most famous poems. It was published in his 1856 collection Les Contemplations. It consists of three quatrains of rhyming alexandrines. The poem describes a visit to his daughter Léopoldine Hugo's grave four years after her death. [1]
In the early 1980s Harkins sent the piece, with other poems, to various magazines and poetry publishers, without any immediate success. Eventually it was published in a small anthology in 1999. He later said: "I believe a copy of 'Remember Me' was lying around in some publishers/poetry magazine office way back, someone picked it up and after ...
For your tomorrow, we gave our today. He was the author of an item in The Times , 6 February 1918, page 7, headed "Four Epitaphs" composed for graves and memorials to those fallen in battle – each covering different situations of death.
After he began at the Detroit Free Press as a copy boy and then a reporter, his first poem appeared on 11 December 1898. He became a naturalized citizen in 1902. For 40 years, Guest was widely read throughout North America, and his sentimental, optimistic poems were in the same vein as the light verse of Nick Kenny, who wrote syndicated columns during the same decades.
Illustration by Eleanor Fortescue-Brickdale. First published as number 208 in the verse collection Hesperides (1648), the poem extols the notion of carpe diem, a philosophy that recognizes the brevity of life and the need to live for and in the moment.
Latin scholar and Saint Joseph's University professor, Maria S. Marsilio points out, carpe diem is a horticultural metaphor that, particularly seen in the context of the poem, is more accurately translated as "plucking the day", evoking the plucking and gathering of ripening fruits or flowers, enjoying a moment that is rooted in the sensory ...