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Anguissola's father, in sending the gift to Duke Ercole d'Este, apologized for certain inaccuracies, due to the fact that the portrait had been created looking in the mirror: in fact the hand seems slightly deformed. [9] Sofonisba wears the same dress and has the same hairstyle and expression in her Self-Portrait at a Spinet, kept in Naples.
Self-portrait at an Easel is an oil-on-canvas painting created c. 1556–1565 by the Italian Renaissance painter Sofonisba Anguissola, now in Łańcut Castle. From the same era as Self-Portrait at a Spinet (Naples) it shows the artist painting a devotional canvas and is one of a group of self-portraits which also includes Self-Portrait (Vienna ...
Portrait of Elena Anguissola: 1540s or 1551 Southampton City Art Gallery, UK Self-portrait: 1550 Uffizi, Florence Self-portrait: c.1550 Private collection Self-portrait: 1554 Kunsthistorisches Museum, Vienna GG_285 Self-portrait: 1554 Museo Poldi Pezzoli, Milan Self-Portrait at a Spinet: 1554 Museo Nazionale di Capodimonte, Naples
Portrait of Juana of Austria with a Young Girl (1561–1562). Oil on canvas, 194 × 108.3 cm (76 x 42.6 in). Isabella Stewart Gardner Museum, Boston, Massachusetts
Sofonisba Anguissola, Self-Portrait, 1610. The influence of Campi, whose reputation was based on portraiture, is evident in Anguissola's early works, such as the Self-Portrait (Florence, Uffizi). Her work was akin to the worldly tradition of Cremona, influenced greatly by the art of Parma and Mantua, in which even religious works were imbued ...
Clothing has been one of the main ways Sofonisba Anguissola has shaped her personal image in her self-portraits. In pieces such as Self Portrait at an Easel (1556-1565) and Self Portrait (1554), Anguissola is depicted in a simple black dress with a white frilled collar underneath. This was seen by many at the time as an attestation of the ...
Self-Portrait at a Spinet is an oil-on-canvas painting by the Italian artist Sofonisba Anguissola, from c. 1555. It is held in the National Museum of Capodimonte, in Naples. [1] It was in cardinal Fulvio Orsini's collection, which passed to Odoardo Farnese in 1600. Orsini's collection also included Anguissola's Partita and two drawings by her.
Portrait of Bernardino Campi Painting Sofonisba Anguissola; Portrait of Bianca Ponzoni Anguissola; Portrait of Elena Anguissola (Southampton) Portrait of Elisabeth of Valois; Portrait of Infanta Isabella Clara Eugenia (Anguissola) Portrait of Juana of Austria and a Young Girl; Portrait of Massimiliano II Stampa; Portrait of Minerva Anguissola ...