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Javanese dance (Indonesian: Tarian Jawa; Javanese: ꧋ꦠꦫꦶꦗꦮ, romanized: Beksan Jawa) is the dances and art forms that were created and influenced by Javanese culture in Indonesia. Javanese dance movement is controlled, deliberate, and refined.
The Srimpi (Javanese: ꦱꦿꦶꦩ꧀ꦥꦶ, romanized: Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta.
The native language of Osing people is the Osing language, it is categorized as part of the Javanese language family. Linguistically speaking, this language has been influenced heavily by its neighbour notably the Standard Javanese (mainly eastern dialects) and Balinese. [6]
Gambyong (Javanese: ꦒꦩ꧀ꦧꦾꦺꦴꦁ) is a traditional Javanese dance originating from Surakarta, Central Java, Indonesia.It has existed since ancient times, and began to be displayed at the Mangkunegaran Palace in the era of 1916 to 1944.
This dance conveys significant notions: jurit translates to "soldier", garwa ampil refers to "concubine" (of Mangkunegara I), and warastra means "bow and arrow". [1] In general, the dance depicts the troops of Mangkunegara I's concubines during the Salatiga Treaty, [a] enacted on 17 March 1757.
Reog or Réyog (Javanese: ꦫꦺꦪꦺꦴꦒ꧀) is a traditional Indonesian dance in an open arena that serves as folk entertainment and contains some magical elements. The main dancer is a lion-headed person with a peacock feather decoration, accompanied by several masked dancers and Kuda Lumping.
Dance in Indonesia (Indonesian: Tarian Indonesia) reflects the country's diversity of ethnicities and cultures. There are more than 600 ethnic groups in Indonesia. [1] [2] Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has ...
Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of the Javanese people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]