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The architecture of the early structures was fairly simple and similar to other structures of the community. As time progressed the design became much more like that of a church with staggered and multi-layer roofs. The entrance to the ritual houses had ornamental designs.
The architecture of Norway has evolved in response to changing economic conditions, technological advances, demographic fluctuations and cultural shifts. While outside architectural influences are apparent in much of Norwegian architecture, they have often been adapted to meet Norwegian climatic conditions, including: harsh winters, high winds and, in coastal areas, salt spray.
The patients spent many hours lying down, and thus Aalto placed the lamps in the room out of the patients line of vision and painted the ceiling a relaxing dark green so as to avoid glare. Each patient had their own specially designed cupboard, fixed to the wall and off the floor so as to aid in cleaning beneath it.
During the period, many Swedish artists moved to continental Europe. A representative of the rococo was Gustaf Lundberg. His technique was long dominant in the Swedish portrait arts, and he is represented at the Louvre and the National Museum and Art Academy. The French painter Guillaume Taraval was called upon to decorate the Royal Palace.
The new art movement had its roots in Britain, in the floral designs of William Morris, and in the Arts and Crafts movement founded by the pupils of Morris. Early prototypes of the style include the Red House with interiors by Morris and architecture by Philip Webb (1859), and the lavish Peacock Room by James Abbott McNeill Whistler.
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Falu red is still widely used in the countryside. The Finnish expression "punainen tupa ja perunamaa" ('a red cottage and a potato patch'), referring to idyllic home and life, is a direct allusion to a country house painted in falu red. Falu red after being mixed and cooked to a paint
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
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