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'Christ of the coin') is a panel painting in oils of 1516 by the Italian late Renaissance artist Titian, now in the Gemäldegalerie Alte Meister in Dresden, Germany. It depicts Christ and a Pharisee at the moment in the Gospels [ 2 ] when Christ is shown a coin and says " Render unto Caesar the things that are Caesar's, and unto God the things ...
Christian Gobrecht (December 23, 1785 – July 23, 1844) was the third Chief Engraver of the United States Mint from 1840 until his death in 1844. [2] He was responsible for designing the famous " Seated Liberty " designs, which were in turn the direct inspiration for the design of the Trade Dollar .
It has been a Christian symbol of authority since the Middle Ages, used on coins, in iconography, and with a sceptre as royal regalia. The cross laid over the globus represents Christ's dominion over the world, literally held in the hand of a worthy earthly ruler.
It is this coin that is sold and collected as the "tribute penny", and the Gospel story is an important factor in making this coin attractive to collectors. [2] The inscription reads "Ti[berivs] Caesar Divi Avg[vsti] F[ilivs] Avgvstvs" ("Caesar Augustus Tiberius, son of the Divine Augustus"), claiming that after death Augustus had become a god.
The Tribute Money, by Titian (1516), depicts Jesus being shown the tribute penny. "Render unto Caesar" is the beginning of a phrase attributed to Jesus in the synoptic gospels, which reads in full, "Render unto Caesar the things that are Caesar's, and unto God the things that are God's" (Ἀπόδοτε οὖν τὰ Καίσαρος Καίσαρι καὶ τὰ τοῦ Θεοῦ τῷ Θεῷ).
The use of religious images in general continued to increase up to the end of the 7th century, to the point that in 695, upon assuming the throne, Byzantine emperor Justinian II put an image of Christ on the obverse side of his gold coins, resulting in a rift which ended the use of Byzantine coin types in the Islamic world. [9]
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Didron, Adolphe Napoléon, Christian Iconography: Or, The History of Christian Art in the Middle Ages, Translated by Ellen J. Millington, H. G. Bohn, (Original from Harvard University, Digitized for Google Books) – Volume I, Part I (pp. 25–165) is concerned with the halo in its different forms, though the book is not up to date. Dodwell, C. R.,
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