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Concerto for alto saxophone and band (1902)—Paul Gilson; Concerto, Op. 26, for alto saxophone and band (or orchestra) (1941)—Paul Creston; Diversion for alto saxophone and band (1943)—Bernhard Heiden; Concerto for alto saxophone and wind orchestra (1949/1953)—Ingolf Dahl [26] Saxophoonconcert voor harmonie-orkest (1951)—Henk Badings
Tableaux de Provence ("Pictures of Provence") is a programmatic suite composed by Paule Maurice (Sept. 29, 1910 – August 18, 1967) between 1948 and 1955 for alto saxophone and orchestra, most often performed with piano accompaniment only. The work was dedicated to French saxophone virtuoso, Marcel Mule.
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E ♭ , smaller than the B ♭ tenor but larger than the B ♭ soprano .
Paul Desmond (born Paul Emil Breitenfeld; November 25, 1924 – May 30, 1977) [1] was an American jazz alto saxophonist and composer and proponent of cool jazz. He was a member of the Dave Brubeck Quartet [2] and composed the group's biggest hit, "Take Five". The song remains the best-selling jazz song of all time.
Early in the development of the saxophone the upper keyed range was extended to E, then to F above the staff; 1880s era sheet music for saxophone was written for the range of low B to F. In 1887 the Buffet-Crampon company obtained a patent for extending the bell and adding an extra key to extend the range downwards by one semitone to B ♭ . [ 14 ]
Das Marienleben, Op. 27, song cycle for soprano and piano, based on poems by Rainer Maria Rilke, which exists in two versions. (There is also an orchestration by the composer of six of the songs from the cycle, for soprano and orchestra) (1923/48) Sing und Spielmusiken für Liebhaber und Musikfreunde, Op. 45 (1928/29)
The first song to became "popular" through a national advertising campaign was "My Grandfather's Clock" in 1876. [3] Mass production of piano in the late-19th century helped boost sheet music sales. [3] Toward the end of the century, during the Tin Pan Alley era, sheet music was sold by dozens and even hundreds of publishing companies.
The Cambridge Companions to Music form a book series published by Cambridge University Press. Each book is a collection of essays on the topic commissioned by the publisher. [ 1 ] The first was published in 1993, the Cambridge Companion to the Violin .
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