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Leonard Warren Borisoff (June 12, 1942 – November 5, 2020), [2] known professionally by the stage name Len Barry, was an American singer, songwriter, lyricist, record producer, author, and poet. Life and career
Borisoff left at the end of 1963 for a solo career under the name Len Barry. The high point of his solo career was the Top 5 smash " 1-2-3 " in 1965, and the follow-up hit "Like a Baby". The Dovells released " If You Wanna Be Happy " on the album You Can't Sit Down in 1963.
Len Barry: Leonard Borisoff 1942–2020 American singer and songwriter Merna Barry: Minnie Bagelman 1923–1976 American singer and entertainer (The Barry Sisters) Red Barry: Milton Poimboeuf 1910–1980 American actor Ethel Barrymore: Ethel Blythe 1879–1959 American actress John Barrymore: John Blyth 1882–1942 American actor Lionel Barrymore
In 1961, the Dovells reached #2 on the Billboard Hot 100 with a song called "The Bristol Stomp", which refers to Bristol, Pennsylvania, and includes the line "We ponied and twisted and we rocked with Daddy G". Since Gene Barge had earlier co-written "A Night With Daddy 'G' - Part 1" and "A Night With Daddy 'G' - Part 2" (Legrand LEG 1004), many ...
Blue ground doves are small pigeons, 20 cm long with a weight of 65–72 g. Adult males have blue-grey upperparts and paler grey underparts, becoming grey-white on the face. The flight feathers and outer tail feathers are blackish, and the wings are boldly spotted black (these spots often forming distinct bands).
Norman Borisoff (April 16, 1918 – April 21, 2013) was an American television writer, award-winning [citation needed] scriptwriter, and a young adult novelist. [ 1 ] Biography
The blue bird-of-paradise (Paradisornis rudolphi) is a large species of bird-of-paradise. It is the only species in the genus Paradisornis , but was previously included in the genus Paradisaea . It is often regarded as one of the most fabulous and extravagant of all birds of the world, with its glorified and fancy flank feathers present only in ...
In their review of the film for Turner Classic Movies, critic John M. Miller wrote that "No matter how trite or inconsequential the plot, every Katzman-produced exploitation musical is invaluable for capturing obscure recording artists of the era in their prime," noting that the "slick pop numbers [of Dana and Scott] serve as a reminder that many of the chart toppers of the period were soon ...