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The resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ. In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely ...
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
The Resurrection of Christ (1499–1502), also called The Kinnaird Resurrection (after a former owner of the painting, Lord Kinnaird), is an oil painting on wood by the Italian High Renaissance master Raphael. The work is one of the earliest known paintings by the artist, executed between 1499 and 1502.
The composition of the painting may derive from a drawing by Rembrandt from the same time as the Burial of Christ. Rembrandt would most closely imitate Raising of Lazarus with his 1635/1639 painting The Resurrection. The placement of the figures is similar and a study of drawings indicates that the latter was developed from the former.
Pages in category "Paintings of the Resurrection of Christ" The following 28 pages are in this category, out of 28 total. This list may not reflect recent changes .
Resurrection of Christ is a painting by the Italian Renaissance artist Giovanni Bellini. The painting is estimated to be created sometime between 1475 and 1479. The painting was created on poplar wood, then transferred to canvas. [1] The Resurrection of Christ's dimensions are in total 148 x 128 cm (which is 58 in x 50 in). [1]
The scene is an adaption of the biblical text; in that work, the people did not enter the tomb but Christ told Lazarus, "Come forth." [4] Tanner's crowd of Jewish people run "from a range of locales across North Africa and the Near East." [2] They are not a racially homogeneous mixture and represent a variety of Jewish peoples. [2]
According to the art historian Mikhail Alpatov, Christ's Appearance to Mary Magdalene after the Resurrection is "a typical work of academic classicism", as the scene of the meeting between Christ and Mary Magdalene is "intentional" and their movements and poses "have a significant element of theatricality". Nevertheless, in Alpatov's opinion ...