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"Hold On" was also a hit in several countries worldwide, reaching number five in the United Kingdom and New Zealand, number six in Germany, number 10 in the Netherlands, and number 12 in Austria. It was the top R&B hit on the Billboard Year-End chart for 1990 and was the eighth most-successful pop hit on the Billboard Hot 100 Year-End chart.
"Hold On (To My Love)" is a song written by Robin Gibb and Blue Weaver and performed by American soul singer Jimmy Ruffin, released in 1980 on his album Sunrise. [1] It reached #10 in the US, [ 2 ] #29 R&B and #7 in the UK.
"Hold On to Your Love" (Tom Chaplin song) See also. Hold On to Love (disambiguation) This page was last edited on 27 June 2019, at 13:03 (UTC). Text is available ...
"Hang On to Your Love" is a song by English band Sade from their debut studio album, Diamond Life (1984). It was written by Sade Adu and Stuart Matthewman , and produced by Robin Millar . It was released in September 1984 as the album's first North American single and fourth single overall.
"Hold On" is a song by American vocal group Wilson Phillips, released on February 27, 1990 by SBK, as the lead single from their debut studio album, Wilson Phillips (1990). The song topped the US Billboard Hot 100 for a week in June 1990 and was the most successful single of that year in the US.
Peter Skellern (14 March 1947 [1] – 17 February 2017) was an English singer-songwriter and pianist who rose to fame in the 1970s. He had two top twenty hits on the UK Singles Chart – "You're a Lady" (1972), which typifies his signature use of brass bands and choral arrangements for a nostalgic and romantic feel, [2] [3] and "Hold On to Love" (1975).
"Hold On to Love" is a 1975 single by British singer-songwriter Peter Skellern. It reached number 14 in the UK Singles Chart on 29 March 1975, becoming Skellern's second and final top 20 hit, following his debut single " You're a Lady ", which made number 3 in 1972.
Minogue considers "Hold on to Now" to be one of her favourite songs from the album. It is a synth-driven track with electronic music elements and gospel sections performed by the House Gospel Choir. The song's lyrics address Minogue's desire to ask existential questions and seek answers.