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After completing his training, Nuttgens worked at Mary Lowndes and Alfred Drury's Glass House in Fulham under Karl Parsons and Martin Travers. [7] In addition to having the talent and skill to create whole works of his own, he was also able to adapt other people's drawings for translation into works of stained glass, [3] to produce designs for other glassmakers, including James Powell and Sons ...
The assembly was equally innovative, with lead not merely holding the glass in place but defining the image and creating linear effects. Furthermore, his layering of glass creates dazzling depths and color effects. "Awake Thou That Sleepest. Arise from the Dead and Christ Shall Give Thee Light" from Ephesians 5:14 is inscribed on the window. [3]
William Warrington, (1796–1869), was an English maker of stained glass windows. His firm, operating from 1832 to 1875, was one of the earliest of the English Medieval revival and served clients such as Norwich and Peterborough Cathedrals. Warrington was a historian of medieval glass and published an illustrated book The History of Stained Glass.
Charles Jay Connick (1875–1945) was a prominent American painter, muralist, and designer best known for his work in stained glass in the Gothic Revival style. [2] Born in Springboro, Pennsylvania, Connick eventually settled in the Boston area where he opened his studio in 1913.
The studio designed its murals, twenty stained glass windows (including the glass ceiling of the dome), [12] lighting fixtures, carpets, and even the bronze ark for the Torah. The studio also created the mosaics on the synagogue's façade, whose colors remain vibrant after nearly ninety years.
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English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.
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