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The goodness of God means that "God is the final standard of good, and all that God is and does is worthy of approval." [ 12 ] Many theologians consider the goodness of God as an overarching attribute - Louis Berkhof , for example, sees it as including kindness , love , grace , mercy and longsuffering . [ 13 ]
[52] [53] The Bible usually uses the name of God in the singular (e.g., Exodus 20:7 [54] or Psalms 8:1), [55] generally using the terms in a very general sense rather than referring to any special designation of God. [56] However, general references to the name of God may branch to other special forms which express his multifaceted attributes. [56]
The biblical references in each of Shakespeare's plays are then analyzed, as are his references to the Prayer Book and the homilies. The question of what constitutes a valid biblical reference is also discussed." Shaheen, Naseeb. Biblical References in Shakespeare’s Plays Newark: University of Delaware Press, 2011, ISBN 978-1-61149-358-0.
In Hair, the character Claude becomes a classic Christ figure at various points in the script. In Act I, Claude enters, saying, "I am the Son of God. I shall vanish and be forgotten," then gives benediction to the tribe and the audience. Claude suffers from indecision, and, in his Gethsemane at the end of Act I, he asks "Where Do I Go?". There ...
Raphael's 1518 depiction of Prophet Ezekiel's vision of God the Father in glory. God the Father is a title given to God in Christianity.In mainstream trinitarian Christianity, God the Father is regarded as the first Person of the Trinity, followed by the second person, Jesus Christ the Son, and the third person, God the Holy Spirit. [1]
In that view, God's power, knowledge, and presence have no external limitations, that is, outside of his divine nature and character. [44] Besides, Arminianism view on God's way of expressing his sovereignty, i.e. his providence, is based on postulates stemming from God's character, [44] especially as fully revealed in Jesus Christ. [45]
A diagram of the names of God in Athanasius Kircher's Oedipus Aegyptiacus (1652–1654). The style and form are typical of the mystical tradition, as early theologians began to fuse emerging pre-Enlightenment concepts of classification and organization with religion and alchemy, to shape an artful and perhaps more conceptual view of God.
Conceptions of God in classical theist, monotheist, pantheist, and panentheist traditions – or of the supreme deity in henotheistic religions – can extend to various levels of abstraction: as a powerful, personal, supernatural being, or as the deification of an esoteric, mystical or philosophical entity or category;