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Nick Cave and the Bad Seeds 18th studio album Wild God was announced on 6 March 2024 and the title track was released as a single on the same day. A second single "Frogs" followed on 31 May and a third, "Long Dark Night", on 23 July.
The discography of Nick Cave and the Bad Seeds, a rock band with multi-national personnel, consists of 18 studio albums, 12 of which have reached the UK top 40, the last four going Top 5; four live albums; four compilation albums; 36 singles, 16 of which reached the UK Indie Top 10; five video albums and 38 music videos.
The Bad Seeds formed when Mike Taylor (lead guitar, vocals) and Henry Edgington (bass guitar), both formerly members of the teen rock group the Four Winds, teamed up with Rod Prince (rhythm guitar, vocals) and Bobby Donaho (drums), who, beforehand, were playing in the rival act, the Titans, until its disbandment.
Punk-turned-prophet Nick Cave often describes music as “sacred”. Performance, for him, is an act of communion with the audience. But Wild God, his 18th album with The Bad Seeds, feels more ...
Wild God is the eighteenth studio album by the Australian rock band Nick Cave and the Bad Seeds, released on 30 August 2024 on PIAS.Produced by Nick Cave and Warren Ellis, the album was mixed by Dave Fridmann and preceded by the singles "Wild God", "Frogs" and "Long Dark Night".
It is the fourth track and second single from the band's fifteenth studio album, Push the Sky Away, and was released on 15 January 2013 on Bad Seed Ltd. An accompanying music video directed by John Hillcoat and featuring an appearance by Ray Winstone, was released on 4 February 2013.
Described by Pitchfork as Nick Cave and the Bad Seeds' "most musically esoteric record", [22] Ghosteen is an ambient and electronic music album. [ 1 ] [ 2 ] Like Skeleton Tree , it features extensive use of analogue synthesizers , sparse piano, [ 24 ] choral harmonies and drones .
The Boatman's Call is the tenth studio album by the Australian rock band Nick Cave and the Bad Seeds, released on 3 March 1997 by Mute Records.The album is entirely piano-based, alternately somber and romantic in mood, making it a marked departure from the bulk of the band's post-punk catalogue up to that point.