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Madame Cézanne in a Garden, unknown date.Here she is presented as more extroverted, and her real life restless nature is evident. In most of the other portraits Hortense Fiquet is presented in more formal attire that perhaps reflects the importance she ascribed to fashion; it is said that an appointment with a dressmaker caused her to be late to her husband's deathbed in 1906. [1]
Paul Cézanne (1839–1906), Hortense Cézanne in a Red Dress, c.1890, São Paulo Museum of Art. Marie-Hortense Fiquet Cézanne (22 April 1850 – 1922) was a French artists' model. She is best known for her marriage to Paul Cézanne and the 27 portraits, mostly in oil, he painted of her between 1869 and the late 1890s. [1]
It was the first painting that Cézanne ever sold. [5] Dr. Gachet lent A Modern Olympia back to Cézanne for the First Impressionist Exhibition in 1874. [8] Despite its small size, Cézanne's A Modern Olympia was the subject of mockery and derision by critics and visitors more-so than any of the other paintings in the exhibition. [9]
Portrait of Madame Cézanne with Loosened Hair, Philadelphia Museum of Art One other of some 44 portraits Cezanne painted of his wife, Marie-Hortense Fiquet between 1869 and the 1890s Portrait of Madame Cézanne (Roy Lichtenstein) a painting by Roy Lichtenstein, 1962, adapting the Barnes Cézanne
Mary and Cornelius J. Sullivan, her husband, amassed a significant private collection of art during the 1920s and 1930s that included Modigliani's Sculptured Head of a Woman, Paul Cézanne's Madame Cézanne, Georges Rouault's Crucifixion, and a Hepplewhite desk that once belonged to Edgar Degas, as well as works by Pierre-Auguste Renoir, Paul ...
Credit line: Bequest of Stephen C. Clark, 1960: References: A Treasury of Art Masterpieces: from the Renaissance to the Present Day, 130 ; The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné, FWN 509
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Portrait of Madame Cézanne was exhibited along with works such as Man with Folded Arms at Lichtentein's first Pop exhibition in Los Angeles. [1] The linear twice-removed black-and-white (along with Man with Folded Arms) is regarded as a quotation of Erle Loran's outline diagram of Cézanne's compositional methods [2] published in a diagram book called Cézanne's Composition. [3]