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Koestler's contribution appeared on 2 October 1969. Sins of Omission: While Six Million Died by Arthur D. More. Reviewed in the Observer, 7 April 1968. The Future if any: The Biological Time-Bomb by Gordon Rattray Taylor. Reviewed in the Observer, 21 April 1968. Going Down the Drain : The Doomsday Book by Gordon Rattray Taylor.
Outlook & Insight: New Research and Reflections on Arthur Koestler's The Gladiators. ISBN 978-3-9394-8362-5. Vernyik, Zénó, ed., 2021. Arthur Koestler’s Fiction and the Genre of the Novel: Rubashov and Beyond. ISBN 978-1-7936-2225-9. Weßel, Matthias, 2021. Arthur Koestler: Die Genese eines Exilschriftstellers. ISBN 978-3-631-86154-7.
Arthur Koestler, The Sleepwalkers: A History of Man's Changing Vision of the Universe (1959), Hutchinson; First published in the United States by Macmillan in 1959; Published by Penguin Books in 1964; Reissued by Pelican Books in 1968; Reprinted by Peregrine Books in 1986; ISBN 0-14-055212-X; Reprinted by Arkana in 1989; ISBN 0-14-019246-8 [9]
The Act of Creation is a 1964 book by Arthur Koestler.It is a study of the processes of discovery, invention, imagination and creativity in humour, science, and the arts. It lays out Koestler's attempt to develop an elaborate general theory of human creativit
Written during the middle of World War II, Arrival and Departure reflects Koestler's own plight as a Hungarian refugee. Like Koestler, the main character, Peter Slavek, is a former member of the Communist party. [2] He escapes to "Neutralia," a neutral country based on Portugal, where Koestler himself had gone, and flees from there.
The book, which measures 200 mm x 120 mm (small format) was published by Frederick Ungar Publishing Co. in New York, 1984, and by Oswald Wolff (Publishers) in London, 1985, ISBN 0-85496-086-4 (cloth); ISBN 0-85496-089-9 (paperback).
Koestler is referenced several times in the work, and in the movie novelization by Steve Moore. Koestler's ideas had previously made their way into the Dr. Manhattan issues of Moore's and Dave Gibbons' Watchmen. It also played a significant role in Episode 4 ("Entangled") of Series X of Red Dwarf, to explain the cause of apparent coincidences ...
The term holon was coined by Arthur Koestler in The Ghost in the Machine (1967), though Koestler first articulated the concept in The Act of Creation (1964), in which he refers to the relationship between the searches for subjective and objective knowledge: Einstein's space is no closer to reality than Van Gogh's sky.