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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Although lyric gives depth and meaning to the music, it also stimulates cognitive processes, making it more difficult to fall asleep. Whereas instrumental music focuses on the melody and rhythm, it allows for relaxation without the distraction of lyrics. Research has given evidence for the use of instrumental music in improving sleep quality. [27]
Bing Crosby included the song in a medley on his album 101 Gang Songs (1961). Pete Seeger gave it additional folk music visibility by performing it at the 1964 Newport Folk Festival, and played it many times throughout his career, adapting the lyrics and stating the song's relevance as an American song, not just a spiritual. [14]
Another song with a reportedly secret meaning is "Now Let Me Fly" [3] which references the biblical story of Ezekiel's Wheels. [4] The song talks mostly of a promised land. This song might have boosted the morale and spirit of the slaves, giving them hope that there was a place waiting that was better than where they were.
The Navajo song ceremonial complex is a spiritual practice used by certain Navajo ceremonial people to restore and maintain balance and harmony in the lives of the people. One half of the ceremonial complex is the Blessing Way, while the other half is the Enemy Way ( Anaʼí Ndááʼ ).
Pages in category "African-American spiritual songs" The following 53 pages are in this category, out of 53 total. This list may not reflect recent changes. ...
The tune known as "Roll, Jordan, Roll" may have its origins in the hymn "There is a Land of Pure Delight" written by Isaac Watts [1] in the 18th century. It was introduced to the United States by the early 19th century, in states such as Kentucky and Virginia, as part of the Second Great Awakening, and often sung at camp meetings.
Slave Songs of the United States was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, [1] [2] collection of spirituals to be published. The collectors of the songs were Northern abolitionists William Francis Allen, Lucy McKim Garrison, and Charles Pickard Ware. [3]