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[1] [26] [28] Despite India losing the war and history fairly blaming Nehru for the loss, Haqeeqat "makes its admiration for Nehru clear" and in the film Anand goes along with the government line that the war and its outcome was the fault of the Chinese. [24] [31] [10] However Nehru died before the film could be released in 1964.
The third stage, the song "Ten Thousand Crags and Torrents" highlights the Chinese Red Army of workers and peasants as they pass the time while trekking the difficult journey of the 9,000 km Long March through singing and dancing. The songs used in the song and dance program includes "Long March" and "Over Snow Mountain and Grass ...
"Invisible" is a song by Swedish singer Zara Larsson for the soundtrack to the 2019 Netflix original animated film Klaus. It was written by Larsson, Justin Tranter, Alfonso González Aguilar, Caroline Pennell and Jussi Karvinen, the latter was the one who produced it. The single was released on November 8, 2019, and the official music video was ...
White Vengeance, also known as Hong Men Yan, is a 2011 Chinese historical film directed by Daniel Lee, starring Leon Lai, Feng Shaofeng, Liu Yifei, Zhang Hanyu, Anthony Wong, Jordan Chan, Andy On, Xiu Qing and Jia Qing.
The song was translated into Japanese and sung by Hamako Watanabe (1940), and was re-released by Li Xianglan the following year; Li (aka Yamaguchi Yoshiko) was fluent in both Chinese and Japanese, and also performed Chinese versions. [14] The song has been recorded by Judy Ongg, [15] Fei Yu-ching, [16] Lisa Ono, Claire Kuo and many others.
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The varying translations came from the different possible readings of the song title. "Tianya" (Chinese: 天涯) literally means "sky horizon" that carries the meaning of "at the end of the world", but within the context of the song it also has the figurative meanings of "someone separated by a long distance" from the phrase "tianya haijiao ...
Platform is a 2000 Chinese film written and directed by Jia Zhangke. The film is set in and around the small city of Fenyang, Shanxi province, China (Jia's birthplace), from the end of the 1970s to the beginning of the 1990s. It follows a group of twenty-something performers as they face personal and societal changes.